Archive for the “Techniques” Category

Fisheye

This was an experiment shot with a fisheye lens and I really think that the photographer got it right - very cool and very well done.

See the photographer’s other work here.

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One of the reasons that I chose this theme is because of this definition of Urban Landscapes (as taken from Urban Landscapes):

Urban landscape photography

  • in some way describe a town or city
  • represents an attempt to understand our experience of the city
  • shows a dedication to the subject, expressed through a body of work rather than isolated images
  • concentrates on structures or processes rather than on people
  • may deal in either details or a broader view

Jan 2: Out the WindowThis may have been my shortcoming, but when I first heard about urban landscape photography, I thought it was skylines and vistas. I’ve since learned that some of the best urban landscape photography gets caught up in some of the details.

Some sites that I’ve come to love as a result of this project include:

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Jan 2: Out the Window

I was photographing some of the items out of my window when my cat jumped into the scene… I’m not sure how urban this is, but it’s a fave of mine and has made the challenge set for Jan 2.

To see the rest of my January Challenge photos, check the “January Challenge” category here on my blog or visit my Flickr Set.

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I have been following Brian on Epic Edits and Trevor on TrevorCarpenter.com as they have pursued the December Challenge of taking a portrait photograph a day. There have been some great results.

I have been inspired to challenge my own photography, so for January I am going to take a photo a day of Urban Landscapes.

Haze at Night: The Kids ParkFor information on what defines an urban landscape, I think that the urban landscape photography site has it pretty well summed up, and as seems to be appropriate, some bookmarks on taking better urban landscape photos include:

Just some other options that I think I can explore as part of this project:

  • Taking photos in black and white or sepia
  • Looking for abstract architecture
  • Looking to tell a story behind the landscape

If anyone knows some good links, or wish to provide their own suggestions about how best to explore this through photography, then please post in the comments.

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I have been starting to research a little more about my camera’s capabilities - I have a Panasonic DMS-FZ5. I normally fiddle with the Shutter and Aperture settings to get fairly decent results (considering the limitations of the camera), however since I have decided to get a little more technical and have started doing some reading, I am discovering ISO speeds and the impact of adjusting these to affect the results with regards to sensitivity to light.

One of the more enlightening and easy-to-understand articles that I have read can be found at Megapixel.net - The importance of ISO capability of a camera. Time to fiddle with all three settings - aperture, shutter speed and ISO sensitivity!

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Convert Images and Photos to Vector-based files

I’m always up for a fab new tool, and this one is great, especially when you have to do a rush job - sometimes I get clients who want a banner and don’t provide me with suitable artwork, so I usually charge them for re-drawing their logos. This could be a quick-and-dirty that gives me a scalable image for emergencies… although it does only have limited scalability.
 
 
 
However one of the cool things it does is turn photos into vector images. You do lose detail (which should be expected), but you get some rather funky shots with the right photos!
Convert Images and Photos to Vector-based files

Vectorised Photo

Check it out at: http://vectormagic.stanford.edu

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Digital PhotographyThe following are some articles that I have found regarding photography basics - techniques as well as technical. Hope you find them useful.

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Most of us are able to look at a photograph and say ‘I like that picture’ or ‘I don’t like that picture.’ We can tell when something appeals to us or offends us. The photographer must then look at these elements when decomposing a photo and try and work out why do you like what you like (if you are looking to appeal to others - as may be the case with stock photography), or how to communicate your intention in the photograph when you take it?

In order to describe this, I am going to take a photograph from one of the photographic blogs that I read - Photos From Northern Norway. I like the way that Thomas Laupstad takes photographs with very clear communication of the environment around him. I have received permission to dissect one of his photos (in my very cumbersome way) to show you what I mean.

Below is the original photo.

Winter has come... [un-commented]

It is a beautiful, clear scenery shot, very crisp and full of the winter day, that draws the viewer’s eye to the wave on the left hand side of the photo. Please click here to view it in all its glory on Thomas’ blog.

Below is my interpretation of how it does this.

Winter has come... [with comments]

Using the visual lines of the breaking waves in the foreground (going diagonally up and to the left) and the clouds on the horizon, the eye is naturally drawn across to the breaking wave on the left.

If I am understanding this concept correctly, this is almost textbook composition of a shot, that has resulted in a stunning photograph.

Thomas has a wonderful photographic blog of his surrounds, and I encourage you to explore, and I hope that you get something out of this post.

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I was having a chat with YesBut on my personal blog and the question came up, can you teach cropping? I believe so, and as I am better these days at finding content, than creating it myself, I went on a search (also there are people that are so much better at it than I am).

  • Cropping for Impact - has a number of before and after shots along with strategies for improving your photo through cropping.
    A note on this - I was often advised that if I had a choice, then take a photo of the object close up, then take one slightly more distant, so that you can crop for impact later.
  • Every picture tells a story has the following points on cropping:
    • Do: take your time
    • Do: zoom in/out to help frame the picture
    • Do: look for distractions and remove them (either physically or through camera position, orientation and zoom)
    • Don’t: put the subject dead center in every photo (see rule of thirds discussed later)
    • Don’t: get stuck in horizontal hold, rotate the camera vertically to see how things look
    • Don’t: get stuck shooting at eye level, change height to help crop out distractions or improve composition

    Note on this one: it has a good section on the rule of thirds - an important consideration when taking interesting photos.

I was invited to crop a photo as an example, however as I said - this is more an appreciation site as I am not very good at taking and manipulating photos myself, and it is a skill that I admire in others, so I didn’t feel up to the challenge.

I will, however, show one that I did do, and explain the reasoning behind it, and suggest you join a Flickr group such as Cropaholics, who allow you to post photos into the discussion and people will then suggest how they would crop it.


Basic barbed Wire Photo

Barbed Wire

Barbed Wire Photo with Depth of Field

Note that there are blurred cars in the top right hand corner, and the blurry fence draws the eye away from the knot (the barb) that is supposed to be the focus.

Barbed Wire

Cropped Barbed Wire Photo

Note that I put the barb in the top portion of the photo and left the recurring pattern of wires remain in the shot… an ‘artisit’ call on my behalf, but the idea is that you, the photographer, know what they want out of the photo… it’s your call what you draw attention to through the crop.

Barbed Wire Crop

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I saw the pic below, and found it a very good reference for some work that I did, exploring depth of field (DOF). The beauty of experimenting with DOF and using toys to do this is that they stay still for you, and let you arrange them in various poses, positions and levels to allow you to experiment wholeheartedly!

I like this one as it has three levels: the background figures are out of focus, as too is the foreground part of the figure that captures the weapon. The spikes on the figure’s back (as well as the icons at its feet) appears to be what has caught the photographer’s attention and the primary focus for the shot.

This is just my take on it.

I did a similar thing with
my step-son’s Star Wars figures.
Star Wars Photoshoot

Here is my setup:

Star Wars Photoshoot

And here is me having some fun:

Star Wars Photoshoot

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